Monday, November 19, 2007

Live dangerously. Build your cities on the slopes of Vesuvius.
--Frederick Nietzsche

I sometimes see my life as romantic. But then I remember where I live.

The “house” that I have rented for many years—an interesting structure—one of those bland fronts of a South Philly house that often shield peculiar and sometimes rich lives from the glare of public knowledge. Long ago my little place probably housed sailors or dockyard workers or longshoremen. Just a few blocks away are the great piers that once serviced ocean-going freighters, the street that was once a seething waterfront thoroughfare.

Photographs from the mid-19th century show this street a maelstrom of activity: the dusty avenue thick with horses and wagons, and thousands of carts bearing the freight of the tall ships whose masts tower above the piers in the background. It was a close, active street, the kind of street where the primary commerce of the international American trade once took place—among men and small-scale vehicles, not cranes and mechanics and diesel trucks. (I miss it, can you tell?) Now, of course, Delaware Avenue is no such thing, but a six-lane boulevard of stoplights and road rage, connecting the Sprawl Mart with the Home Repo and the Super Stash. It’s a strip mall stuck in the only place the city could put it, the only stretch of open retail-ready land within 10 miles.

But the houses around here remain largely what they were. I’m pleased to live in a place where a house can reach 150 years of age, and more, and still serve as a house, without making any great fuss about it. I live amid scores and scores of these houses, and not even a block of suburban-style mini-houses—vinyl siding, garages—can destroy the ambience.

However, I’ve known I must leave this place--the lust has indeed wandered—and have wondered what circumstance would permit me a graceful exit from this residence of six years. Last week I found it: The first floor wall, long bowed outward into the alley, has in fact collapsed. I didn’t realize this at first. My landlord spent the night here last week and we couldn’t figure out why the furnace, which had run all night, had apparently failed to heat the house by morning. Then we looked in the alley. A big brick wall really does make quite a pile. We had only a piece of sheetrock between us and the great outdoors.

This new development with the house takes its place alongside other, older quirks of the structure. For example, the hole in the bathroom floor that looks down into the kitchen.

Following the walll discovery came frantic calls to contractors, several of whom came to give estimates. And they confirmed what I’ve always told the owner about this place: Fixed up, it’ll sell at a huge profit. I think he believes it now, and plans to sell. Which means I need to find a new place to live.

Which is all right. I’ve decided, at least for now, that my only safety is despair of safety. I seem to be happy only when in flight. So once again into the wild blue yonder. So far the remaining two floors have not tumbled. Just give me another two days….

1 comment:

Anonymous said...

Rob,
I thought I would reference this article in light of the demise of your living quarters. It has all the necessary elements: crumbling rubble, danger, a famous architect, an underage showgirl, a jealous husband, adulterous liaisons, murder, and a velvet swing. Based on all of this, I think that your skillful accounting of the collapse of your exterior wall needs to be spiced up a bit. Be sure to include the prankish actions of the roving mimes, the hidden stair to “lower philly”, full disclosure of the benefits of having a hole in your bathroom floor, oh, and the honey coated hula girls, don’t forget them.

NEW YORK -- Work crews on Sunday began demolishing a vacant Manhattan building that partially collapsed less than two weeks after city officials expressed concerns about the building's stability. The building, which played a part in an infamous Gilded Age murder case, partially collapsed Saturday night. Buildings Department spokeswoman Robin Brooks said crews started taking the rest of the building down on Sunday morning. No one was hurt as the back of the four-and-half-story building caved in at about 8 p.m. Saturday, she said. The collapse left the front facade still standing, but the rear of the building was in rubble. Witnesses said the collapse sent a plume of dust swirling around the building, at 22 W. 24th Street in the Flatiron neighborhood. Both neighbors and firefighters said it was fortunate that the collapse did not occur during a weekday. The building became a salacious footnote in a sensational 1907 trial involving a teenage showgirl, a jealous husband, and renowned architect Stanford White. He designed the original Madison Square Garden, the famous arch at Washington Square Park and several other city landmarks. White rented part of 22 W. 24th St. and used it for trysts in 1901 with 16-year-old showgirl Evelyn Nesbit. She subsequently married, and her vengeful husband, Harry Thaw, shot and killed White on Madison Square Garden's rooftop garden in 1906. The trial revealed that White's 24th Street hideaway was outfitted with a red velvet swing, among other racy details. Thaw was eventually acquitted on the grounds of insanity.
Z